chess online

chess online

Play online chess!

Great Art?
« Back to club forum
FromMessage
obsteve
19-Jun-09, 13:36

Great Art?
Art that has too broad an appeal is facile and obvious. In appealing to the lowest common denominator, it ceases to be art and becomes wallpaper.

Great art can never and should never be understood by the masses.

Great art should be obscure, controversial, beyond the ordinary man's reach, understood only by an artistic elite.

Anyone disagree?
antinephilehi
20-Jun-09, 07:23

Art
Please define "elite".
How can we know it is great just because "no one" understand it?
obsteve
20-Jun-09, 11:26

Hi antinephilehi :)
Artistic Elite: people with more artistic skills, knowledge and understanding than your average Joe. Likely to be artists themselves, and art connoisseurs.

I do not mean social, economic or intellectual elite (other than artistic intellect, if there is such a thing), although it is arguable that they are likely to come from a reasonably affluent background.

"How can we know it is great just because "no one" understand it?"

I didn't mean it is great because no-one understands it, I mean no-one understands (but for the elite few) it because it is great. The fact that Joe public doesn't understand it is a consequence of Great Art, not the cause.

The vast majority of us only know it is great art after a lot of time has passed, and probably also only after we've been told it is great art. We can also tell it is Great Art because it costs a lot and we have school trips to see it displayed somewhere important.

For a working definition of Great Art, I would like to go with something along the lines of- "art which has changed (or is likely to change) societies". Perhaps we could argue the toss about that definition on another thread, if there are any serious disagreements about it.

My main point here is that Great Art is beyond the reach of Mary Bloggs. She will say, "My 3 year old niece could do better than that"

Why else did Van Gogh die a pauper?

Steve
rilke
21-Jun-09, 09:55

Art
Duchamp believed that art is everywhere (the art-made), so art is not restricted for a few scholars or an elite. Art is for everybody.

After the Russian Revolution; the state created the art should serve mankind. Great artist emerged in that period of time, such as Malevich.

Nietzsche claimed that his books are made for a few; because the masses will not understand his message.

So on Nietzsche's point of view; I would like to say "Great Art" are not understood by the masses. We can appreciate it and love it; but not understand completely the artist's message.
obsteve
21-Jun-09, 11:22

Duchamp
That man put a toilet in an art exhibition! How many people understood that at the time?

imo it was a pivotal piece of art, but it was thrown out (somebody correct me if I'm wrong) shortly after the exhibition as rubbish!

en.wikipedia.org)

Now if that's not a proof that the average joe (and indeed the art exhibitors) wouldn't know art if it hit them in the face, I don't know what is!

Steve
nf7mate
23-Jun-09, 10:04

Great Art is objectively beautiful
It sounds like you are a fellow believer in objective beauty. If 99 out of 100 looked at a piece of art and thought it was rubbish, then according to the subjective standards of the eyes of the beholders, it is rubbish. But you are saying the 99 out of 100 can be wrong about the beauty and significance of a work, hence the beauty and significance of a work of art are not subjective.

I think it is possible for Great Art to be recognized by 'the masses'. I think when the Sistine Chapel was finished, everyone who saw it knew it was a Great Work. At the same time, the value of a work of art is contained within the work itself, and it is possible for Great Art to be overlooked or even shunned by society.

I don't think a work of art must change society in order to be considered great. Imagine if the Mona Lisa was lost soon after being painted and no record of its existence remained. It had no impact on society at all. Does that make it less great?
obsteve
23-Jun-09, 13:29

Hi nf7mate
No, I don't believe in objective beauty.

And I'm not just talking about pretty stuff. I mean you wouldn't say Duchamp's Urinal was that pretty would you?

What Duchamp was trying to achieve was so ahead of his time that nobody even thought to keep the artwork. The fact that it was destroyed doesn't make it subjectively rubbish, but at the same time you could hardly argue that the toilet or any of his other "objets trouves" were objectively beautiful, or would you?

I don't think aesthetics are the issue here. What matters is that the piece was a revolutionary art work which was thrown away because no-one understood it, because it was so far ahead of its time.

Had the majority of people understood it, it would also not have been groundbreaking enough to cause that revolution. The artist leads the way, and the rest of the world slowly catches up.

Regarding the Sistine Chapel, I think that people are more capable of admiring great craftsmanship than understanding great art. The effects achieved by Michelangelo are awesome and the anatomical accuracy must have been mindblowing to Giovanni Publici.

Duchamp on chess:

“The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.”

Steve
obsteve
23-Jun-09, 14:45

repost, duchamp's fountain
sorry for missing link above. it should be this:

en.wikipedia.org

rilke
24-Jun-09, 03:45

James Joyce
Joyce had another interesting point of view of "Great Art"
He said that the viewer while watching this beautiful painting; his senses and his emotions are moving around the painting. Joyce called it a"pornographic art."

However when the viewer is watching a painting and suddenly nothing is moving; and it is just merge of the viewer and painting; this manifestation he called "Great Art."

For a man who was not a painter; I believe Joyce has a valid point.
nf7mate
24-Jun-09, 12:36

Howdy Steve
Correct, Duchamp's fountain is not beautiful, nor was it intended to be. In this case, the 'art' is not found the physical presence of the work but in the act itself, namely that of entering an unaltered urinal into an art exhibit and naming it "Fountain". Or have I missed the point?

Would you consider the Sistine Chapel to be Great Art?

Great quote from Duchamp on chess, by the way.
obsteve
25-Jun-09, 05:14

Hi rilke, hi nf7,
<<In this case, the 'art' is not found the physical presence of the work but in the act itself>>

True, but is that not the case with all art? Art is very much of its time and great art, which in its time has changed the course of mankind, would not have had the same impact had it been made in a different era.

Too early, and the artist would have been considered a madman. Too late, and they would have been considered imitators. The artist must occupy (in their conceptual processes at least) the fringes of society, and be constantly pushing back the boundaries.

How else could it have gone unnoticed for 2 months in the Museum of Modern Art, that 'Le Batteau' by Matisse was hung upsidedown?

Yes, I do consider the Sistine Chapel to be great art. But here's a question: if someone recreated the "Fountain" or Sistine Chapel in 2009, exact in every detail, would you consider the replica great art?

Steve


rilke
25-Jun-09, 11:15

Hi Obsteve
a replica?...That is a very interesting question my friend!

nf7mate
25-Jun-09, 12:42

Replicas
I think anyone capable of recreating the Sistine exact in every detail is worthy of recognition. That would be quite an accomplishment. It would be art. It would be beautiful. But it would not be as significant as the original was and is. I would recognize the work as a perfect replica of Great Art, and some replicas would be worthy of admiration (some not so much). But the value of the replica is derived from the original, not from itself, so a replica itself cannot be Great Art.

I would compare this with a beautiful new move in an opening line that a GM plays over the board and stuns the chess world as opposed to another player subsequently playing that same move in the same position by memory. Both moves are identical in every way, but we give recognition to the GM for finding the move, perhaps even naming the move after him/her, and we give little recognition (if any) to others who learn it afterwards.

Wow. Chess is a lot like art.
obsteve
26-Jun-09, 12:43

Chess is a lot like art...
<<...I would compare this with a beautiful new move in an opening line that a GM plays over the board and stuns the chess world>>

I like this analogy. I think it fits with great art changing the path of society, inasmuch as a Beautiful New Move changes the path of chess.

Drawing it round to my initial claim- IMO the chess world is stunned precisely because it has never contemplated the move- the very nature of the BNM means that it is (initially at least) beyond the reach of the ordinary chess player- for whom, luckily, there will be probably a book on the BNM out some time after the event.

Furthermore, the world outside the chess community will probably never get to hear about it, nor give two hoots if they do.

<<...another player subsequently playing that same move in the same position by memory>>

How would you feel if a computer program made the move as part of its programming? Or indeed, how would you feel if a computer were to replicate the Cistine? Still any artistic merit?

Steve
coopershawk
27-Jun-09, 22:36

computers programs are only the manifestation of the programer's art
IMO, if the move is good enough to be classified as art then it makes no difference whether it was generated
directly by a person playing over the board, or by a programer who is playing the game indirectly
and using the computer as a tool. Note that I think the programer[s] gets the credit, not the computer user.



coopershawk
27-Jun-09, 22:51

original question
I don't think that the Impressionists, the Dutch Masters, Leonardo, Cellini, and the many other accessible
artists of the past who created work that now appeals to the masses are somehow lesser artists. They
created great art. Copyists create copies of art, but the copies do not diminish the original in my mind.

It's also worth noting that some copies are better than others.
For example, before seeing the original of Andrew Wyeth's painting "Christina's World",
en.wikipedia.org
I had seen many photographs of it and never thought highly of it. Seeing the original at MOMA changed my
view and understanding completely.


obsteve
28-Jun-09, 12:48

Dutch Masters
<<I don't think that the Impressionists, the Dutch Masters, Leonardo, Cellini, and the many other accessible artists of the past who created work that now appeals to the masses are somehow lesser artists.>>

No, you are right, they are not lesser artists on account of their contemporary appeal.

However, their contemporary appeal to the masses is largely on account of them being recognised masters. You want the Canaletto print on your wall to show how classy you are (beside the fact that only the 'recognised' artists' reproductions are sold in the shops anyway). I don't imagine there are that many who could distinguish a Franz Hals (of Laughing Cavalier fame) from any of his lesser known and lesser sought after contemporaries. Hals died a pauper too...

Artists (like Shakespeare's plays) go in and out of fashion.

The Chess Players, by Lucas van Leyden-

www.art-wallpaper.com

Steve



GameKnot: play chess online, monthly chess tournaments, chess teams, Internet chess league, chess clubs, online chess puzzles, free online chess games database and more.